Onion AV: Do you see Kill Bill as one film?

David Carradine: Yeah, it's one long film. Back before they split it into two parts, it was one film, and that's how you should think about it. And I don't think it will take very long—you'll be seeing it that way, because there are enough Tarantino fans who want to see it that way, and all you need to do is remove the credits in the middle. It holds together. Wham, it's a three-and-a-half-hour epic fucking masterpiece of exploitation moviemaking. That's what he calls it. He'll never tell you that what he's actually doing is giving himself the ability to be a great director like David Lean or somebody like that. He hides. He's very subversive, right? All the techniques available, moments of great beauty and great terror in this picture, particularly if you see it as one picture, you see that it flows. Everyone says that Part Two is a much different picture. Well, if you look at it together, you'll see that it flows together. It doesn't just jump. That's the way he designed it. He wanted everybody to think that it was just a simple action movie, and be plunged into this tragic love story that has a lot of the feeling of Sergio Leone, but also has the feeling of Shakespeare.